I’m over at Out in Print today, discussing Stephen Graham King’s Gatecrasher.
I’ve long been a lover of Space Opera, but it was so rarely a place I saw myself represented that I drifted away from it over my years as a reader. I always felt a disconnect: how come we got to the stars, but there’s never a queer person in sight? Why can’t the cocky space pilot be bi? Why can’t the tech-smart engineer hook up with another guy?
Well, they can. Allow me to introduce you to the Maverick Heart Cycle.
When I first read Stephen Graham King’s Soul’s Blood, I fell in love with his trio of Lexa-Blue, Keene, and the sentient space ship, Maverick Heart (Vrick to the ship’s friends). Space Opera is difficult to pull off well. Balancing world-building, which so often includes linguistic nuances to show an evolution (or devolution) in culture, alongside the narrative itself is a tricky…
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